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            <display>Documenta (German exhibition organization, founded 1955); Georges Adéagbo (Beninese installation artist, born 1945)</display>
            <notes/>
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                <name vocab="ULAN" refid="500125329" type="personal">Adéagbo, Georges</name>
                <dates type="life">
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                <role>installation artist</role>
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                <name vocab="ULAN" refid="500300809" type="corporate">Documenta</name>
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            <display>2002 (creation); 8 June-15 September, 2002 (exhibition)</display>
            <notes>Exhibit dates for Documenta 11</notes>
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                <earliestDate>2002</earliestDate>
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            <display>One of the central issues Georges Adéagbo addresses in this composition, is to what extent an effort was made over centuries of geographic expansion to understand, analyze and integrate the information brought back 'home' by explorers and whether the lack of giving careful observation priority over hasty action might not be one of the causes for the disparity of cultural and economic evolution in the world. Since summer 2001 Adéagbo exclusively researched for and prepared his Documenta 11 contribution. Several visits to Kassel allowed him to acquire books and plow through photos and files at the Documenta archive, finally to bring a choice of images and texts back to Benin to be transformed by an local artisan into large scale illustrations. Adéagbo explored and harvested objects at flea-markets in New York, Chicago, Kyoto, Hamburg and Kassel and brought items from Africa. From the beach near his atelier, Adéagbo had a cracked dug-out canoe and a 19th century anchor transported to Kassel, that form, together with the four totem poles carved by Cotonou craftsman, the central area of the work, an island surrounded by an ocean of narration.</display>
            <description source="Jointadventures [installation artist website]; http://www.jointadventures.org/ (accessed 7/17/2014)">One of the central issues Georges Adéagbo addresses in this composition, is to what extent an effort was made over centuries of geographic expansion to understand, analyze and integrate the information brought back 'home' by explorers and whether the lack of giving careful observation priority over hasty action might not be one of the causes for the disparity of cultural and economic evolution in the world. Since summer 2001 Adéagbo exclusively researched for and prepared his Documenta 11 contribution. Several visits to Kassel allowed him to acquire books and plow through photos and files at the Documenta archive, finally to bring a choice of images and texts back to Benin to be transformed by an local artisan into large scale illustrations. Adéagbo explored and harvested objects at flea-markets in New York, Chicago, Kyoto, Hamburg and Kassel and brought items from Africa. From the beach near his atelier, Adéagbo had a cracked dug-out canoe and a 19th century anchor transported to Kassel, that form, together with the four totem poles carved by Cotonou craftsman, the central area of the work, an island surrounded by an ocean of narration.</description>
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            <display>Documenta (Kassel, Hesse, Germany)</display>
            <notes>installation venue; Halle Binding (disused Binding brewery building on the outskirts of central Kassel)</notes>
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            <display>wood canoe and totem poles; painted illustrations; found objects; Xeroxed texts on paper</display>
            <notes/>
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            <display>Twenty-first century</display>
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            <display>business, commerce and trade; contemporary (1960 to present); Exploration & encounters; World politics</display>
            <notes/>
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                <term type="descriptiveTopic" vocab="LCSAF" refid="n 94036403 ">Exploration & encounters</term>
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            <notes/>
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            <display>The explorer and the explorers facing the history of exploration - the world theatre</display>
            <title type="cited" pref="true" xml:lang="en">The explorer and the explorers facing the history of exploration - the world theatre</title>
            <title type="cited" pref="false" xml:lang="fr">L'explorateur et les explorateurs devant l'histoire de l'exploration - le théâtre du monde</title>
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            <display>visual works; installations (visual works)</display>
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